Validating 1959 les paul
Flip to the middle position and you'll find exceptional cut and clarity, with the bridge and middle pickup out of phase, producing glorious "quack" and expressive push in the upper midrange. Click Here to learn more about what makes a Wildwood instrument so special...
The bridge pickup is exceptionally thick, with excellent punch and an extremely vocal high end, lending itself to soaring single note runs with gobs of harmonic content. An instrument from Wildwood isn't just an ordinary guitar. Each and every instrument we sell includes a full, point by point setup, an exhaustive evaluation, and expert shipping procedures, with first class, industry leading standards from start to finish.
Tonally, this incredible vintage treasure is about as vocal as it can get, with an ultra resonant body that gives back everything you put in to it with an incredible dynamic response.
The neck position is extremely creamy, but articulate, never losing composure or note definition under a heavy attack.
1) A 1952 goldtop converted to a ’58 tobacco-sunburst Standard modeled after Duane Allman’s famed guitar. But most often, it’s about turning a goldtop into a ’59 flame-top, a Black Beauty into a ’58 Custom, or and an earlier goldtop into a ’57 goldtop.” You may justifiably wonder why anyone would convert a vintage Les Paul.
You can read more about Peter Green’s “magic” Les Paul in our 2015 story, where you can also view a video of Hammett talking about the guitar.
The reality is that guitar geeks crave vintage ’Bursts and are sometimes willing to go the extra mile (and expense) to get the mojo of old wood and original PAF pickups – sometimes to the tune of ,000 or more. “One example is taking a ’52 Les Paul goldtop with a trapeze tailpiece and updating it with an ABR-1 bridge, stop tailpiece, and humbucker pickups,” said Mike Reeder, proprietor of Mike’s Music.
We recently spoke with a number of dealers, restoration experts, and luthiers to get the lowdown on the conversion process – and the ideology behind it. “Part of the conversion may include refinishing the guitar or replacing the maple top.
“Mine wasn’t magical.“It might have looked similar to others from a distance, but it was an old-fashioned one with a funny-shaped neck—a kind of semicircle neck. The pickups were strong, but I took one of them off. I heard him play one night, and he was on the treble pickup all night long. It takes a lot of genuine practice and worry to get a sound like that.”ELLIS: But judging from all the Fleetwood Mac photographs, you must have put the pickup back on your Les Paul. People would say that I got a special sound and try to force me to agree, but I don’t think so.
It sounded so good, I thought I’d take my bass pickup off altogether. GREEN: I put it back on the wrong way around so that the poles—the pickup screws—were facing in the opposite direction. As it happened, Ellis already knew the “secret” behind the sound of Green’s Les Paul.